‘Avengers: Endgame’: Movie Review

To say that ‘Avengers: Endgame’ is simply another movie would be a gross understatement, and a disservice to the legions of fans and the incredible work done by Marvel Studios over ten years and twenty-one movies before this. To be sure, this is a cinematic event on a grand scale unlike any other in the past, and probably in the immediate future – and pretty much everyone has been waiting for this with baited breath. And Joe and Anthony Russo have pulled it off in grand fashion – not only does the movie deliver in terms of thrills, action visuals and all of the glitz, it is a complete package that does not skimp on humour, emotions, or genuinely heartfelt moments that will leave a smile on your face and a lump in your throat – and that is what makes this one such a fitting conclusion to this arc of the MCEU.

To say anything on the plot, other than that the movie picks up 22 days or so after Thanos snapped his finger and destroyed half of all living creatures, and the survivors are left to figure out what to do, would be risking giving away some spoilers. But, as a warning, without any details, I would say this – one of the big positives (and potential challenges for casual viewers) is that this movie really emphasizes on Marvel Studios’ idea that all the movies in the MCEU are part of a shared cinematic universe, and clever nods, callbacks and references to events and characters in the previous movies play a pretty crucial role here. So, you’d better be aware of the events of the previous movies – else you’ll be lost to what is happening here.

It is to Marvel’s credit that their casting decisions were always on point – I have said previously that the casting is such that it is hard to imagine anyone else in these roles. And here, more than ever, the decisions really pay off. This movie focuses on the characters, each with their unique personalities, and their relationships that have evolved over the course of so many movies, and charts out satisfying conclusions to their arcs. Full credit to the writing, which is consistent with the characters, - it’s not hard to believe where they are in their lives, and their journey till the end seems just about right. And the actors bring their A-game here. Without exception, everyone is absolutely perfect here – it is clear to see the actors’ love for their characters, and their investment really pays off.

The writing is nothing short of exceptional. Full marks to the makers for a restrained approach which isn’t just about a bunch of people fighting each other in a CGI mashup – for the most part, the movie is an adventure with people in difficult situations, which they need to use their wits to get out of. The dialogues are crackling with humour and the chemistry the characters share with each other, and there are so many fan-service moments in the movie, it is hard not to cheer them. This is a comic book movie at its best – poignant and measured while at the same time exhilarating, amazing and unabashedly about its heroes.

Of course, though close, the movie isn’t perfect. The movie is 181 minutes long, which may irritate some audience members – that being said, there is never a dull moment and the makers justify the length. There is a lot to cover here, and pretty much every scene is crammed with details that take the plot along. And while it is mostly about the characters, the third act is very effects heavy and kind of a CGI slugfest. But again, works as an integral part of the movie – and the audience at the screening I attended were clapping, whistling, hooting and screaming all around. If you needed any indication of the feedback on the movie, this is it.

I, for one, found it a bittersweet moment when the credits rolled – I didn’t realize these movies really had me so emotionally invested. I cannot emphasize this enough – this is perhaps the only conclusion (out of the 14 million possible outcomes 😉) that would have worked for something like this, and is the perfect goodbye to these characters. ‘Avengers: Endgame’ is a cinematic experience like none other – you cannot miss this!

‘Shazam!’: Movie Review

After the massive success of DC’s last outing ‘Aquaman’, which was pretty grand in scale with a huge underwater world and a lot of CGI (which worked well for that movie), it is surprising to see DC taking a U-turn, deciding to tell a much more down to earth story of one of its lesser known heroes. And it is a pleasant surprise, that yields a simple yet effective story which brings back the fun in what is seemingly the thankless job of a superhero. DC’s course correction to focus on character stories in genres that suit the key players (looking forward to Joaquin Phoenix as the Joker later this year) feels like a smart move, and I hope it’ll deliver good results. 

‘Shazam!’ tells the story of Billy Baston (Asher Angel), a foster kid who keeps escaping out of foster care looking for his birth mother. When he gets taken into a group home with five other foster kids, Billy befriends one of the kids Freddy (Jack Dylan Grazer), a superhero enthusiast on crutches. When standing up for Freddy as he is bullied at school one day, Billy ends up being transported to a magical hidden temple in another dimension, and granted the powers of Shazam, an ancient hero who protects the world from manifestations of the seven deadly sins. On saying out the name, Billy gets transformed to the grown-up superhero version (Zachary Levi). Billy, with help from Freddy, must now explore his new-found superpowers and navigate the responsibilities around wielding it, all in time to counter the threat from supervillain Thaddeus Silvana (Mark Strong).

The refreshing thing about ‘Shazam!’ is the lightness of touch and the grounding of the stakes involved – it makes for a more personal tale which gives a chance for us to get to know these characters and their motivations. And, more importantly, this movie focuses on one aspect of superhero life that DC seems to actively go against – that the superhero life can be “fun”. The movie is whacky and incredulous, but it does not take itself seriously and calls itself out on its ridiculousness – and this is what lends the movie its USP. The movie plays with the trope of a young boy being endowed with super powers, and the interactions between Shazam and Freddy, which plays with this very well, provides some of the best moments of the movie.

The acting is very good. Zachary Levi is perfect as the man-child superhero, and his chemistry with Jack Dylan Grazer is great. Asher Angel is impressive as Billy. Mark Strong is menacing yet understated, and you really do get a sense of his character’s motivations. The rest of the support cast are all in good form too.

All in all, ‘Shazam!’ is a fun popcorn entertainer that will leave you with a smile on your face.

Movie Review: ‘Super Deluxe’

Just by virtue of it being director Thiagarajan Kumararaja’s second film, ‘Super Deluxe’ generated a lot of buzz. Add to it that it has Mysskin, Nalan Kumarasamy, Neelan K. Sekar and Kumararaja himself as writers, and actors like Vijay Sethupathi and Fahadh Faasil part of the ensemble, and expectations became sky high. It is great, then, that ‘Super Deluxe’ delivers on its potential in fine style.

‘Super Deluxe’ consists of multiple storylines – there is one plot of a group of boys trying to watch a porn movie, and how it leads to two stories – one where a subgroup of friends have to try and make money quickly, and the other where one of the friends gets injured and needs to be hospitalized while his mother (Ramya Krishnan) and father (Mysskin), a self-proclaimed godman, scramble trying to heal him in their own ways. Another plot involves Vaembu (Samantha) whose lover dies during the act of lovemaking, and she now needs to dispose of the body with the help of her husband Mugil (Fahadh Faasil). Yet another plot tells the story of Manickam aka Shilpa (Vijay Sethupathi), a transwoman who comes back home and tries to come to terms with his son Rasukutty (Ashwanth Ashokkumar).

As expected with the calibre of the writers on offer, perhaps the biggest plus of ‘Super Deluxe’ is its writing. The screenplay is sharp with full of surprises, and the dialogues are pure gold. Hats off to Kumararaja for pulling off a seemingly difficult task – getting together four writers to put their styles into the plots, and seamlessly combining them to make one final product. The love for the characters and attention to detail here is clearly evident. The movie is beautifully shot, and is very stylish – the colours pop, and the camerawork is great. The background music by Yuvan Shakar Raja works perfectly (look out for the memorable ‘Star Wars’ reference). The acting here is top notch as well – Vijay Sethupathi is expectedly good in a difficult role. Bagavathi Perumal as the crooked cop Berlin is the perfect amount of creepy. Samantha, Ramya Krishnan and the boys do a great job as well. Mysskin is brilliantly cast as Arputham. But for me, the scene stealers were Ashwanth Ashokkumar as Rasukutty; and Fahadh Faasil as Mugil – the layers to his performance are just amazing!

While addressing the cons, I think the movie could have been shorter – it has been edited very well to seamlessly blend the stories, but the indulgence is evident. The runtime is quite long, and the movie would have benefitted from a reduced length, especially in the second half. Also, the movie may not be very accessible to a wider, mainstream audience – there are profanities aplenty which would dissuade family audiences, and the movie is more for the new-gen audiences and may not really be appreciated by the regular movie goers.

That being said, I count myself as a movie buff, and I can safely say – I loved ‘Super Deluxe’. There is so much going for it, and full marks to Thiagarajan Kumararaja and the entire crew for putting together such a wonderful package. I am excited to see what more Kumararaja has to offer (hopefully we get something sooner than the 8 years it took between this movie and ‘Aaranya Kaandam’.)

Movie Review: ‘Us’

After his extremely successful, Oscar winning ‘Get Out’, writer-director Jordan Peele is back with his second horror outing – ‘Us’. For those expecting an intelligent horror movie with a lot of underlying themes like his first movie, ‘Us’ would deliver – however, it should be noted that this one is not as straight forward in its storytelling as ‘Get Out’. The social commentary here is anything but direct – and most viewers (myself included) would scratch their heads trying to figure out what exactly Jordan Peele wants to say. This is evident from the amount of breakdown and exploratory videos on YouTube, which try to decode what the movie is all about.  

‘Us’ follows the Wilson family comprising of Adelaide (Lupita Nyong’o), her husband Gabe (Winston Duke) and their two children (Shahadi Wright Joseph and Evan Alex) who go for a vacation to their beach house in Santa Cruz. Adelaide (Lupita Nyong’o) is apprehensive of the trip as it reminds her of a traumatic incident in the past, while her husband Gabe (Winston Duke) is trying to compete with his more affluent friend Josh Tyler (Tim Heidecker). Soon enough, the family are attacked by a family of doppelgängers, each of them wearing identical clothes and wielding scissors. Who are these doppelgangers, what do they want, and will the family escape them forms the plot of the movie.

As I mentioned, ‘Us’ is much more obtuse than ‘Get Out’, which seems to have disappointed a lot of the viewers. That is not to say that ‘Us’ doesn’t work – on the contrary, ‘Us’ probably is more effective as a straight up horror movie than ‘Get Out’, where the key theme of liberal racism was central to understanding the movie and was instrumental in creating a lot of the discomfort. Here, however, while the subtle meaning and the themes of classism, rise of the have-nots and how our circumstances define who we are would enhance the viewing experience, the movie is plenty scary even if you don’t really connect with the themes.

Jordan Peele is already establishing himself as a brilliant creative voice, and his direction is top notch here as well. He creates an eerie sense of discomfort and tension, more akin to something like ‘The Shining’ rather than relying on jump scares. And his liberal use of humour to undercut the tension is brilliant. It also helps that he has a stellar cast who play both the roles very well – Lupita Nyong’o is a treat to watch, and is the highlight here. But full credit to the other cast, including Winston Duke and especially the children, who give amazing performances as well.

‘Us’ is by no means an easy watch – even fans of classic horror may be put off by the movie’s ambiguous tone, open ending and indirect messages. That being said, the movie is not something you can forget easily – it would make you want to revisit it and peel off the many layers to understand the hidden meaning. I have spent quite some time researching the movie after I saw it. And any movie that is capable of generating that interest is definitely a recommendation from me (Shame that it had such a limited theatrical run in India, but would definitely recommend watching it once it is out on streaming).

Movie Review: ‘How to Train Your Dragon: The Hidden World’

Dreamworks Animation’s final installation of the successful ‘How to Train Your Dragon’ franchise is a definite improvement on its predecessor, and is actually quite sweet and charming. It is a fitting conclusion to the series – if you loved the previous films, chances are you will definitely love this one as well. I am not the greatest fan, and for me this one was, like its predecessors, a decent watch but wouldn’t rank among my favourites.

‘How to Train Your Dragon: The Hidden World’ (THW) continues to follow the story of unlikely Viking leader Hiccup (Jay Baruchel) and his dragon Toothless. Hiccup and his fellow dragon riders of Berk are now into saving dragons full-time – so much so that they have caught the attention of infamous dragon hunter Grimmel the Grisly (F. Murray Abraham). Hiccup must now try and find the “Hidden World” to provide a safe haven for all dragons. Meanwhile, Toothless discovers a female Fury dragon and falls head over heels in love – but is it a ploy by Grimmel to capture Toothless?

One of the key highlights on the movie is, of course, the animation – the evolution of the quality of the animation is very impressive to say the least. The detailing in this movie, in scenes of Toothless with Light Fury, and especially in the scenes in the Hidden World, are beautiful. This coupled with a good story and screenplay, which highlights the evolution of these characters, and highlights mature themes of family, relationships and letting go, and you have the basis for a fine movie. The voice acting complements these very well – so you have a well-rounded finished product.

For me, the issue was that the material never really elevates to the status of some of the best animation movies I’ve seen. The emotional heft is missing, and I felt the third act in particular was a bit flat – while it concludes the series perfectly, I felt the major conflict is resolved way too easily, and Hiccup’s misgivings are more of an afterthought.

‘THW’ is a decent watch, and if you are a fan of the series, a fitting conclusion to the franchise.

Movie Review: 'Captain Marvel'

I have enjoyed pretty much all the movies in the MCU – it is easily the most consistent movie franchise, if you can call it that. I think a large reason for that is that despite connecting threads linking it to the larger MCU, each movie had its own unique flavour, which suited the lead character and the story that was being told. Which is probably why ‘Captain Marvel’ feels underwhelming. The movie sticks to the tried and tested, but ultimately tired formula of origin movies – and with just one movie left in the current story of the MCU, playing it safe feels lacklustre.

‘Captain Marvel’ kicks off in the year 1995 with the Kree empire’s Starforce member Vers (Brie Larson), who suffers from amnesia and has recurring visions of what seems to be her past, getting trained by her mentor and commander Yon-Rogg (Jude Law), who tries to get her to control her abilities. The Kree empire’s ruler is an artificial intelligence known as the Supreme Intelligence (played by Annette Bening). After she is captured by a group of the shape-shifting enemy known as Skrulls, Vers escapes and crash-lands in Los Angeles. Her presence attracts the attention of Agent Nick Fury of the newly established S.H.I.E.L.D. (Samuel L. Jackson, made to look young by really impressive visual effects). They need to work together to fight the Skrulls threat, uncover Vers’s past and essentially save the day.

Like pretty much all Marvel movies, this one is a pretty solid movie. The acting, for one – Brie Larson is a very likeable Captain Marvel, and her chemistry with Samuel L. Jackson is probably the best thing about the movie. Jude Law is very good – so it’s a shame that he doesn’t have a lot to do. The supporting cast is pretty good too. The special effects are great, the nostalgia aspect with all the ‘90s references are fun, there are laughs to be had – there is a lot to like here.

The problem, for me at least, was that there is nothing new on offer here. There is a ho-hum feel to the entire proceedings, and I was never really invested in the story. It was emotionally quite light, and didn’t really elevate from a popcorn entertainer. Not that it is a bad thing – but I have come to expect a lot from these movies. I saw ‘Captain Marvel’ more from a continuity standpoint to be honest.

To sum up, the movie is definitely worth a watch – needless to say I guess, considering how successful it is. That being said, this is not up there among Marvel’s best offerings.

Movie Review: ‘Kumbalangi Nights’

Malayalam cinema has always fascinated me – I think it was the first movie industry I was exposed to where masala entertainers, hilarious; seemingly “mindless” comedies, and intelligent cinema (be it drama, comedy, action, whatever) coexisted homogenously under the “commercial cinema” umbrella and were equally successful. I guess it helped that I grew up in the ‘80s and ‘90s, which has been dubbed “the golden age of Malayalam cinema”. And I think that inherently, most of the movies at that time paid a lot of attention to the script, screenplay and dialogues, and were inherently intelligent, thoughtful and detailed in their execution. Though this changed in the 2000s, it is now heartening to see a resurgence in the film industry with some intelligent, though provoking cinema which is redefining the space of commercial cinema. ‘Kumbalangi Nights’ is one such film.

‘Kumbalangi Nights’ tells the story of four brothers – Saji (Soubin Shahir), Boney (Sreenath Bhasi), Bobby (Shane Nigam) and Franky (Mathew Thomas), who live in a small, cramped and incomplete house in the wasteland area of Kumbalangi and have troubled relations with each other. When Bobby falls in love with Babymol (Anna Ben), he needs to try and improve his job prospects, and get along with Saji to try and convince Babymol’s brother-in-law Shammi (Fahadh Faasil) to agree to the marriage. Meanwhile, events in Saji and Boney’s life involving their business partner and an American tourist respectively, change the course of their lives and force the brothers to come together and “complete” their incomplete home.

‘Kumbalangi Nights’ is a brilliant film in large part because of its script and screenplay by Syam Pushkaran, and the direction by debutante director Madhu C. Narayanan. The pacing is leisurely and almost lazy – while this may irritate some viewers, it is in sync with the scenery and the gradual payoff is rewarding. The subtlety and humour with which the movie handles its themes is delightful. The surprising element for me, which didn’t strike me immediately (probably because most of the main characters are men), is the feminist angle and the theme of toxic masculinity – while Malayalam cinema has many movies with female protagonists and themes of feminism, I think I have not seen the subject matter handled with this subtlety since ‘Chinthavishtayaya Shyamala’. I will not spoil anything, but I have to mention the brilliant climax, which took me by surprise. A word of mention also for the soundtrack, which again adds to the ambience.

The acting is very good here. Soubin Sahir and Shane Nigam especially work well together, and a scene where Boney tries to reconcile with Saji was so hilarious without trying hard at all. And of course, there is Fahadh Faasil (who is also one of the producers) – I have been sadly ignorant of a lot of his great work and am just catching up, but his performance in this movie is very special (I want to elaborate, but will not to avoid spoilers). All the other cast members also do a great job as well.

I would strongly recommend ‘Kumbalangi Nights’ for fans of good, albeit slightly offbeat, storytelling. Even if you have not watched Malayalam movies, would recommend this as an entry point if you can watch with subtitles.