Finally! After a bunch of disappointments, the DCEU has
finally managed to produce a movie that nails it. And in doing so, they also
managed to do something the MCEU could have attempted earlier but didn’t –
showcase the female hero in her solo movie. Full marks to director Patty
Jenkins and writers Zack Snyder, Allan Heinberg and Jason Fuchs, who give us a
movie that celebrates its female protagonist without trying to force an agenda;
and also doesn’t cram in references to the extended universe (something “Batman
v Superman” was panned for).
“Wonder Woman” is the origin story of its titular character.
She is Diana (Gal Gadot), princess of the Amazons, a demi-God sort-of race that
was created by the god Zeus to save humans from his jealous son Ares. She is
brought up in Themyscira, an island away from anything else and trained as a
warrior. The isolated existence of the Amazons is interrupted when American spy
pilot Steve Trevor (Chris Pine, who continues to impress with every movie) crash
lands near their island and brings the horrors of World War I along. Diana
feels this is her calling and goes with Steve to fight for humanity and end the
war, and in the process discover her powers et al.
The movie works well both as a superhero movie and a war
movie. The action scenes are great, but they work in service of the plot and aren’t
too flashy – they don’t feel special effects heavy, which helps given the
superhero movie fatigue that is kicking in (except for the climax, but then it
is a superhero movie). The war is a perfect backdrop for the character’s growth
– the war scenes feel they have been handled like a proper war movie, and not
as a forced plot device. Also the positivity of the movie is something that
would have also worked for Superman, whose interpretation took a u-turn for the
grey, brooding “Man of Steel” version. This feels like the movie “Man of Steel”
should have been, and “Captain America – The First Avenger” could have been.
The success of “Wonder Woman” is mainly because the makers
have a clear interpretation of the character and do not hesitate to water it
down because it can be considered naïve and corny in a largely cynical time. I haven’t
read any of the comics so I can’t speak for accuracy, but this works. Diana’s ‘fish
out of water’ moments, her naïve innocence (the scene where she squeals with
joy on seeing a baby is priceless), her belief in the greater good, all these
moments go towards defining the character and also bring some of the best
moments in the movie. The biggest plus of the character is her compassion that
is her greatest strength, and this is highlighted well without overdoing it. This
is the superhero we need, and I hope this character becomes a role model for
the younger generation.
It is especially refreshing that there are no broad strokes
or generalizations, and that Diana doesn’t have the challenge of facing
discrimination per se. It is also good that Steve Trevor is such an endearing
character – a quintessential war hero – who realizes Diana is special and
treats her as such without giving it a second thought.
The performances are top notch. Of the supporting cast,
special mention to Robin Wright, who makes the most of her role despite limited
screen time. Chris Pine seems the perfect choice for Steve Trevor, and the
chemistry he shares with Gal Gadot make for the best moments in the film. But
the movie does belong to Gal Gadot, who completely owns the character and
brings us the strong yet gentle superhero we need. She captures the essence of
the hero and brings a layered, nuanced performance.
The movie does have some flaws – the last act feels a bit
like a departure from the rest of the movie and may not work for everyone
(though they do tie everything together the best they can), and the great
reveal isn’t all that surprising. But these are nit-pickings in a movie that
really works. I would highly recommend this movie for one and all. Not only is
this an entertaining movie, it is in a way a very important one. If you haven’t
caught it yet, go ahead and watch it.
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